WHO WE ARE
Red Light Theatrical is a film and theatre production company focused on developing new work based around subversive and confrontational narratives. We want to change the types of stories we see on stage and screen, championing the work others aren’t ready to. Our productions deconstruct our evolving political reality, depict frank and visceral sex and sexuality, and deliver a platform for unsung artists who have been denied institutional access.
Founded by George S. Copeland and Daphne Kinard, we are an artist-led company producing our own original work, and providing an outlet for others’ underdeveloped work. Our company was created in response to the interminable developmental processes plaguing New York theatre. Our world is moving too fast for the current timelines in new play development, and culture is outpacing production; plays are outdated by the time they are staged. To keep theatre relevant, it needs a sense of immediacy.
OUR MISSION
We are creating a space centered not around a collective feedback process, but around letting playwrights see their work produced. We want the work we create and support to be tested by an audience instead of other theatremakers. To this end, we host the Green Light Reading Series, a program for playwrights to see unproduced work in front of an audience with a one month turnaround from submission. Our fully staged productions are exclusively world premieres, unfettered by lengthy workshops and successive readings, aiming for a year or less from first draft to staging.
We also believe that theatre should provoke a change in perspective, and institutional theater is growing increasingly resistant to risk. Our productions explore underrepresented themes such as political repression, climate realism, sexual marginalization, and domestic fascism. Our plays feature honest depictions of modern sex work, normalized trans life, male loneliness and radicalization, and the tenderness of unabashed intimacy.
These stories are often shown in a sanitized and parochial fashion, if shown at all. We aren’t afraid to approach these topics in an uncompromising and empathetic manner, challenging the audience to reckon with their preconceptions about the people they reduce, be it via demonization or tokenization. In doing so, we hope to inspire audiences to empathize with those they consider outsiders, and imagine a more trusting future.
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DAPHNE KINARD
Daphne is a Texas born actress, writer, and producer based in New York City. She graduated from the MFA Acting program at Columbia University, and before that attended the BFA Acting program at Carnegie Mellon University.
She has appeared in In Full Bloom (HERE Arts), Pilled (Adult Film Theater Company), Blood at the Root (Chautauqua Theater Company), and guest starred on Dickinson on Apple TV+.
Her play “Austin” was recently staged by Red Light Theatrical, and her pilot “Big Woods” was a finalist in the Final Draft Big Break.
GEORGE S. COPELAND
George is an actor and writer working across theater, film, voice, and television.
A graduate of Columbia University’s MFA Acting program, George has developed a career centered on intelligent, character-driven work and collaborations with emerging and established artists. He has appeared Off Broadway in the Royal Shakespeare Company’s production of King Lear, as well as in indie theater productions at the Tank and the Brick.
As a writer, George has penned scripts for both stage and screen, including the plays pilled and World of Wounds, as well as the upcoming short Outcall cowritten with Daphne.